Elena Anosova

Out-of-the-way
29 September – 5 January 2019

Elena Anosova work concentrates on boundaries and isolation. The Out-of-the-way story, made between 2015 and 2017, is about a settlement in the far North of Russia, founded about 300 years ago by Anosova’s ancestors and other people. She has never been there before, and traveled there for the first time to shoot this story. In her work Anosova explores the isolated microcosm. People in that region preserve not only their identity, but also their myths and legends. The place is the epitome of mythology. It was important for Elena Anosova to show this amazing community, that conserves itself and accepts the new only with great caution.

One of the aims of Anosova’s work is to ask where we come from, which our roots are. Anosova’s ancestors were hereditary hunters in a small settlement near the Nizhnyaya Tunguska River. Almost 300 years ago they came to colonize Siberia, then assimilated with the Evenks – one of the indigenous peoples of the Russian North, with a population of roughly 40,000 – and founded a village in the taiga. Nowadays the population of the village is 130 people, all of them distant relatives. Life of this part of Anosova’s family – her father’s siblings and numerous cousins and nephews – has not changed for centuries in the remote area surrounded with pristine wilderness.

Elena Anosova lives between Moscow and Irkutsk. Her work explores subjects of isolation and borders and has been critically acclaimed by media and institutions worldwide. She is the winner of multiple awards, including LensCulture Exposure Awards and World Press Photo. Her work has been exhibited during group and solo exhibitions in Russia, Japan, China, Turkey, Austria, Italy, UK and the USA. She is a member of MAPS collective.

Please read an inspiring interview with Elena Anosova by LensCulture here.

Events with Elena Anosova in December: 

We are pleased to invite you to an artist talk by Elena Anosova at Theater Vrijburcht and finissage at Schilt Gallery. On 1st December at Theater Vrijburcht Elena will speak about her projects: Section,Polite Fish, and others.  She will share information and her insider view on International, Russian and the USA institutions (art-residencies, festivals, and portfolio reviews). On 15th December during the finissage at Schilt Gallery Elena will speak about stories and characters from her Out-of-the-way project. She will also present additional materials from the project. Join us for two exciting evenings in December! We’re looking forward to seeing you!

Artist talk: Elena Anosova at Theater Vrijburcht. Saturday, 1 December 2018, 20:30.
Address: Jan Olphert Vaillantlaan 143, 1086 XZ Amsterdam.

Finissage: Schilt Publishing & Gallery. Saturday, 15 December 2018, 16:00-19:00.
The presentation starts at 17:30. Address: Peter Martensstraat 121, 1087 NA Amsterdam

 

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Kirk Crippens & Gretchen LeMaistre

Live Burls
26 May – 15 September 2018

In 2013, an alarming number of redwood trees in America’s national and state parks were shorn of their knobby protrusions, called burls. The trees were disfigured by thieves aiming to sell distinctive burl wood to luxury furniture retailers. Kirk Crippens and Gretchen LeMaistre read about these trees in the news and were motivated to go and see them. Rangers from the Redwood National and State Parks assisted the two artists in accessing and photographing each site. Between 2013 and 2016, they made many visits to the redwood forests of Humboldt County, California.

While redwood trees are sensational for their size, their burls are unique for less obvious reasons. Redwood burls contain stem cells that enable the trees to clone themselves. In a sense, a redwood tree may never truly die because the burls’ genetic codes maintain cycles of reproduction dating back nearly two hundred million years, to when the species began. Only one percent of redwood seeds become trees; burls generate the majority of trees. Redwoods and their cousin sequoias sometimes exist for as long as three thousand years. For these reasons, they were given the species name sempervirens, or “ever-living.” Steinbeck once referred to them as “ambassadors of another time.”

 Yet even the protected trees are subject to threat. Shorn trees are more vulnerable to disease, and their ability to reproduce is uncertain. Decades may pass before the full extent of poaching damage can be assessed.

The horrifying way people can crush valuable natural and cultural history for money is masterfully shown by Kirk Crippens and Gretchen LeMaistre. The way they meticulously photograph these dying giants sends shivers down my spine. The beauty of their images and the superb silver gelatin prints they produce make it even harder. But it is exactly this combination of pure photographic craftsmanship with a subject of grave importance that gave me no choice but to immediately embrace the work. For me, this is exactly what photography should be about.
– Maarten Schilt, as published in the 2018 FotoFest Biennial Catalogue

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Hi Yasmin,

 

This is the content of the current exhibition PhotoCat.

 

Kind regards,

Johan